Showing posts with label Biography. Show all posts
Showing posts with label Biography. Show all posts

Norman Bates

Portrayed by Anthony Perkins (Psycho, 1960)

Fictional character
created by writer Robert Bloch as the central character in his novel Psycho. The character is based on real-life serial killer Ed Gein.
The characterization of Bates in the novel and the movie differ in some key areas. In the novel, Bates is in his mid-to-late 40s, short, overweight, homely, and more overtly unstable. In the movie, he is in his early-to-mid-20s, tall, slender, and handsome. Reportedly, when working on the film, Hitchcock decided that he wanted audiences to be able to sympathize with Bates and genuinely like the character, so he made him more of a "boy next door." In the novel, Norman becomes Mother after getting drunk and passing out; in the movie, he consumes no alcohol before switching personalities.

Both the novel and Alfred Hitchcock's 1960 film adaptation explain that Bates suffers severe emotional abuse as a child at the hands of his mother, Norma, who preaches to him that women and sex are evil. The two of them live alone together in an unhealthy state of emotional dependence after the death of Bates's father. When Bates is a teenager, his mother takes a lover, thereby making him insanely jealous. Bates then murders both of them with strychnine and preserves his mother's corpse. Bates develops dissociative identity disorder, assuming his mother's personality, repressing her death as a way to escape the guilt of murdering her. He inherits his mother's house, where he keeps her corpse, and the family motel in Fairvale, California.

Bloch sums up Bates' multiple personalities in his stylistic form of puns: As "Norman" Bates, the little boy, he is dominated by his mother, and has to do whatever she tells him. As "Norma" Bates, he dresses in her clothes, mimics her voice, and kills anyone who threatens to come between her and her "Norman," especially attractive young women. As "Normal" Bates, he is a (barely) functioning adult who runs the business of the motel and keeps peace between the other two personalities.

Norman is finally arrested after he murders a young woman named Mary Crane (called Marion Crane in the film) and Milton Arbogast, a private investigator sent to look for her. Bates is declared insane and sent to an institution, where the "mother" personality completely takes hold; he completely becomes his mother.

Bates dies in Bloch's 1982 sequel to his novel.

Taken from Wikipedia

Zecharia Sitchin

Sitchin was born in Baku, Azerbaijan, and was raised in Palestine. He acquired some knowledge of modern and ancient Hebrew, other Semitic and European languages, the Old Testament, and the history and archeology of the Near East. Sitchin graduated from the London School of Economics, University of London, majoring in economic history. A journalist and editor in Israel for many years, he now lives and writes in New York City. His books have been widely translated, converted to braille for the blind, and featured on radio and television.


According to Sitchin's interpretation of Sumerian cosmology, there is a undiscovered planet which follows a long, elliptical orbit, reaching the inner solar system roughly every 3,600 years. This planet is called Nibiru (the planet associated with Marduk in Babylonian cosmology). According to Sitchin, Nibiru collided catastrophically with Tiamat, another supposed planet located by Sitchin between Mars and Jupiter. This collision supposedly formed the planet Earth, the asteroid belt, and the comets. Tiamat, as outlined in the Enûma Elish, is a goddess. According to Sitchin, however, Tiamat was what is now known as Earth. When struck by one of planet Nibiru's moons, Tiamat split in two. On a second pass Nibiru itself struck the broken fragments and one half of Tiamat became the asteroid belt. The second half, struck again by one of Nibiru's moons, was pushed into a new orbit and became today's planet Earth.

This scenario is hard to reconcile with the Earth's current small orbital eccentricity of only 0.0167. Sitchin's supporters maintain that it would explain Earth's peculiar early geography due to cleaving from the celestial collision, i.e., solid continents on one side and a giant ocean on the other. While this is consistent with the giant impact hypothesis for the origin of the moon, that event is estimated to have occurred 4.5 billion years ago.

The scenario outlined by Sitchin, with Nibiru returning to the inner solar system regularly every 3,600 years, implies an orbit with a semi-major axis of 235 Astronomical Units, extending from the asteroid belt to twelve times farther beyond the sun than Pluto. "Elementary perturbation theory indicates that, under the most favorable circumstances of avoiding close encounters with other planets, no body with such an eccentric orbit would keep the same period for two consecutive passages. Within twelve orbits the object would be either ejected or converted to a short period object. Thus, the search for a trans-Plutonian planet by T.C. Van Flandern of the U.S. Naval Observatory, which Sitchin uses to bolster his thesis, is no support at all."[3][4]

Sitchin's theory "posits that, from an equal start, the Nefilim evolved on Nibiru 45 million years ahead of comparable development on Earth with its decidedly more favorable environment. Such an outcome is unlikely, to say the least, since Nibiru would spend over 99% of its time beyond Pluto. Sitchin's explanation that heat from radioactive decay and a thick atmosphere keep Nibiru warm is absurd and does not address the problem of darkness in deep space. Also unexplained is how the Nefilim, who evolved long after Nibiru arrived, knew what happened when Nibiru first entered the solar system."[5]

According to Sitchin, Nibiru was the home of a technologically advanced human-like extraterrestrial race called the Anunnaki in Sumerian myth, who Sitchin states are called the Nephilim in the Bible. He claims they first arrived on Earth probably 450,000 years ago, looking for minerals, especially gold, which they found and mined in Africa. These "gods" were the rank and file workers of the colonial expedition to Earth from planet Nibiru. Sitchin believes the Anunnaki genetically engineered Homo sapiens as slave creatures to work their gold mines by crossing extraterrestrial genes with those of Homo erectus. Sitchin claims ancient inscriptions report that human civilization in Sumer of Mesopotamia was set up under the guidance of these "gods", and human kingship was inaugurated to provide intermediaries between mankind and the Anunnaki. Sitchin believes that fallout from nuclear weapons used during a war between factions of the extraterrestrials is the "evil wind" that destroyed Ur around 2000 BC (Sitchin claims the exact year is 2024 BC), described in the Lament for Ur.[6] Sitchin claims that his research coincides with many biblical texts, and that biblical texts come originally from Sumerian writings.

Taken deom Wikipedia


Quentin Tarantino

Date of Birth : 27 March 1963, Knoxville, Tennessee, USA
Birth Name :
Quentin Jerome Tarantino
Nickname :
QT


In January of 1992 a film titled Reservoir Dogs (1992) hit the Sundance Film festival. The writer-director was a first-timer by the name of Quentin Tarantino. The film garnered critical acclaim and the director became a legend in the England, UK and the cult film circuit.

Two years later he followed up 'Dogs' with the film Pulp Fiction (1994). 'Pulp' premiered at the Cannes film festival, where it won the coveted 'Palme D'Or' the virtual equal of the Best Picture at the Academy Awards. At the 1995 Academy Awards, 'Pulp' was nominated for the Best Picture Oscar, also for Best Director and Best Original Screenplay, among others. Tarantino and writing partner Roger Avary came away with the award only for Best Original Screenplay. In 1995, Tarantino directed one fourth of the Anthology Four Rooms (1995) with friends and fellow auteurs Alexandre Rockwell, Robert Rodriguez, and Allison Anders. That film was released on December 25th in the United States to very weak reviews. This is mainly due to the heavy cutting of the first two segments and the introduction which make much of the plotline unintelligible, and creates a complete mess out of the second segment, directed by Alexandre Rockwell. The best two segments of the film are Robert Rodriguez's and Tarantino's. Tarantino's next film was From Dusk Till Dawn (1996), a crime/vampire film which he wrote and co-starred with George Clooney. The film did fairly well theatrically.

Early Life

Tarantino was born in Knoxville, Tennessee, the son of Connie Zastoupil (née McHugh), a health care executive and nurse, and Tony Tarantino, an actor and amateur musician born in Queens, New York. Tarantino's father is part Italian American and his mother had part Cherokee Native American ancestry. Dropping out of Narbonne High School in Harbor City, California at the age of 16, he went on to learn acting at the James Best Theatre Company. This proved to be influential in his movie-making career. At the age of 22, he landed a job at the Manhattan Beach Video Archives, a now defunct video rental store in Manhattan Beach, California where he and fellow movie buffs like Roger Avary spent all day discussing and recommending films to customers such as actor Danny Strong.

Film Career

After Tarantino met Lawrence Bender at a Hollywood party, Bender encouraged Tarantino to write a screenplay. In January 1992 Tarantino's Reservoir Dogs hit the Sundance Film festival. The film garnered critical acclaim and the director became a legend in the UK and the cult film circuit. Reservoir Dogs was a dialogue-driven heist movie that set the tone for his later films. Tarantino wrote the script in three and a half weeks and Bender forwarded it to director Monte Hellman. Hellman helped Tarantino to secure funding from Richard Gladstein at Live Entertainment (which later became Artisan). Harvey Keitel read the script and also contributed to funding, took a co-producer role, and a part in the movie.
Tarantino's screenplay True Romance was optioned and eventually released in 1993. The second script that Tarantino sold was Natural Born Killers, which was revised by Dave Veloz, Richard Rutowski and director Oliver Stone. Tarantino was given story credit, and wished the film well. Following the success of Reservoir Dogs, Tarantino was approached by Hollywood and offered numerous projects, including Speed and Men in Black. He instead retreated to Amsterdam to work on his script for Pulp Fiction.

After Pulp Fiction he directed episode four of Four Rooms, "The Man from Hollywood", a tribute to the Alfred Hitchcock Presents episode that starred Steve McQueen. Four Rooms was a collaborative effort with filmmakers Allison Anders, Alexandre Rockwell, and Robert Rodriguez. The film was very poorly received by critics and audiences. He also starred in and wrote the script for Robert Rodriguez's From Dusk Till Dawn, which saw mixed reviews from the critics yet led to two sequels, for which Tarantino and Rodriguez would only serve as executive producers.

Tarantino's third feature film was Jackie Brown (1997), an adaptation of Rum Punch, a novel by Elmore Leonard. A homage to blaxploitation films, it starred Pam Grier, who starred in many of that genre's films of the 1970s. He had then planned to make the war film provisionally titled Inglorious Bastards, but postponed it to write and direct Kill Bill (released as two films, Vol. 1 and Vol. 2), a highly stylized "revenge flick" in the cinematic traditions of Wuxia (Chinese martial arts), Jidaigeki (Japanese period cinema), Spaghetti Westerns and Italian horror or giallo. It was based on a character (The Bride) and a plot that he and Kill Bill's lead actress, Uma Thurman, had developed during the making of Pulp Fiction. In 2004, Tarantino returned to Cannes where he served as President of the Jury. Kill Bill was not in competition, but it did screen on the final night in its original 3-hour-plus version.

The next project would be Grindhouse, which he co-directed with Rodriguez. Released in theaters on April 6, 2007, Tarantino's contribution to the Grindhouse project was titled Death Proof. It began as a take on 1970s slasher films, but evolved dramatically as the project unfolded. Ticket sales performed significantly below box office analysts' expectations despite mostly positive critic reviews.

Among his current producing credits are the horror flick Hostel (which included numerous references to his own Pulp Fiction), the adaptation of Elmore Leonard's Killshot (for which Tarantino had once written a script) and Hell Ride (written & directed by Kill Bill star Larry Bishop). Tarantino is credited as "Special Guest Director" for his work directing the car sequence between Clive Owen and Benicio del Toro of Robert Rodriguez's 2005 neo-noir film Sin City.

Tarantino has been quoted as saying "When people ask me if I went to film school I tell them, 'no, I went to films

Awards

Pulp Fiction won the Palme d'Or (Golden Palm) at the 1994 Cannes film festival. That film earned Tarantino and Roger Avary Oscars for Best Original Screenplay, and was also nominated for Best Picture.

In 2005 Quentin Tarantino won the Icon of the Decade award at the Sony Ericsson Empire Awards.

On August 15, 2007, Philippine president Gloria Macapagal-Arroyo presented Tarantino with a lifetime achievement award at the Malacañang Palace in Manila.

Filmography

  • Reservoir Dogs (1992)
  • Pulp Fiction (1994)
  • Jackie Brown (1997)
  • Kill Bill Volume 1 (2003)
  • Kill Bill Volume 2 (2004)
  • Death Proof (2007)
  • Inglourious Basterds (2009)
Taken from imdb and wikipedia


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